《疯(🚼)狂暑期(qī(😴) )之哈喽怪(⏮)物(wù )》故事(😓)梗概(gài )：(🗝)三个小孩(🥀)在(zài )参加暑期夏令营时突然(rá(🖌)n )失(shī )踪，家(❄)长们(men )报警(🐴)寻找孩子(🅾)的下落。三(🆖)(sān )个孩子(🛡)走进(jìn )原(📛)始森林迷(mí )失了方(🦍)向，小(xiǎo )野人救了他(tā(🚹) )们，并教会(🆕)(huì )了(le )他们(🏪)很多生存(✔)技能，后(hò(🦊)u )来一起与(🌷)笨(bèn )贼(zé(🥧)i )斗智斗勇(🦑)，并和警察成(chéng )功地抓(🍇)住了(le )坏(huà(🔄)i )人。
马云是(🙁)(shì )马姓裴(🚂)满氏(shì )家(🏺)族的最后(🕗)(hòu )一(yī )代(🌋)贵族，因(yī(🤮)n )其第十三(🚥)房(fáng )姨太所生之(zhī )子(zǐ )［马十(🦇)三］天生(💦)力大无穷(📒)，生惹是(shì(🔧) )非(fēi )，被马(🆔)云忍(rěn )痛(⛷)送往武馆(🌹)“无双馆”学(xué )习攻守(🐟)之道(dào )。
这部电影(yǐng )的(🥙)故事背景(❣)让(ràng )人不(⚡)禁回忆(yì(🌳) )起《逃出绝(🛤)(jué )命(mìng )镇(👸)》。一位黑人(🏆)男性（杰(😹)森·米切(qiē )尔(ěr )饰）(🧤)在周末的(🍨)时候，因(yī(🍸)n )为觉得周(🚗)围(wéi )只(zhī(💮) )有白人朋(🈹)友(yǒu )所以(🎾)觉得十(shí(📚) )分紧张。当(🤪)(dāng )然(rán )，这部作品(pǐn )与乔丹·皮(👨)尔去年那(⚡)部(bù )符(fú(🔳) )合大众口(🗃)味(wèi )的《逃(🚜)出绝命镇(🎬)》不同(tóng )。智(🏝)利导演塞(sāi )巴斯蒂(🙍)安·席尔瓦是一个(gè(🐮) )古怪的人(😡)，他的电影(👄)如(rú )《女仆(🐵)》、《水晶仙(💻)女》、《肮脏(🏔)的(de )婴(yīng )儿(💢)》都倾向于(🔴)剑走偏锋(fēng )，故事开始(🥙)(shǐ )会(huì )有(💌)点怪异，而(🐘)之后则会(🔱)(huì )变得更(🌧)加怪(guài )异(📄)(yì )。这种风(👧)格(gé )对于(⚾)《周末(mò )生(🕥)日游》意(yì )味(wèi )着什么呢？还不(📺)知道。但我(㊙)们非常(chá(😴)ng )期(qī )待这(🆔)种不确(què(🕴) )定性，况且(🎶)演员阵容(💹)中(zhōng )还(hái )有克里斯(📁)托(tuō )弗·阿伯特、迦(🐅)勒兰德里(🍎)(lǐ )·琼斯(🦔),迈克(kè )尔(🎒)·塞拉和(🚚)(hé )安·道(🚨)德。
從(cóng )高(🚱)峰滑落谷(🧜)(gǔ )底，比從未(wèi )風(fēng )光(🔮)過更難受(🐥)？前曼聯(🙋)球(qiú )星簡(🍀)東拿變(bià(🎮)n )身(shēn )潦倒(🤦)過氣藝術(😫)家尤利西(🚸)(xī )，那種時(🏷)不(bú )我(wǒ )與的虛空落(luò )寞盡在(📷)眉宇(yǔ )間(📜)。藝術學(xué(♈) )生(shēng )蒙娜(🎪)欲拜他(tā(⌛) )為師，反過(🏁)來成了他(📗)重(chóng )生(shēng )的希望。發(fā )現身患絕症後，他由(😿)蒙(méng )娜(nà(👪) )作伴，走出(🛷)(chū )隱居大(⛴)宅，尋訪當(🖊)年被他(tā(👓) )離棄的弟(😸)弟(dì )及妻兒，坦(tǎn )白致歉望求寬(🖲)(kuān )恕。感性(🎮)而(ér )不感(🌽)傷，碧(bì )巴(📯)(bā )達以不(💧)慍不火的(💇)圓熟技(jì(🏐) )巧呈現破碎(suì )人(ré(🏚)n )生的悲喜，冷不防遇上(shàng )慌失失(💭)劫匪(fěi )來(🎣)(lái )個黑色(👷)幽默(mò )，也(💭)未忘留(liú(🥌) )下孩子的(🐟)善(shàn )良(liá(🕳)ng )，溫潤人間(jiān )。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
华小帅性格腼腆懦(🍠)弱(ruò )，时常(🙍)陷入自(zì(🖇) )我幻想中(🧖)无法自拔(🐑)。刚(gāng )进(jì(🐓)n )大学就被(🚂)“热心”学长(🍎)强势欺负。又(yòu )因为性格内(nèi )向(🎓)无法融入(🏊)(rù )集体，三(🍅)个室(shì )友(🍹)为了帮助(🏉)(zhù )他走出(❕)自我(wǒ )，决(🎎)定“强迫”他追求班(bā(🥊)n )花、做自我(wǒ )激(jī )励训练。然而(📍)事与愿违(🥎)(wéi )，华小帅(🍧)屡(lǚ )屡(lǚ(⛏) )挫败，意外(🥝)(wài )不断，期(🛡)间(jiān )杀出(🤷)跑车男(nán )来(lái )搅局，华小(xiǎo )帅阴(🤢)差阳错被(🍉)班花“指(zhǐ(🚏) )定(dìng )”成男(🚴)友，他还没(🦆)来得及高(🈯)兴又“被(bè(👴)i )分手”了，经(👽)历了短暂(zàn )的“爱情”波(bō )折后华(🦑)小帅(shuài )反(👠)而有所领(😎)(lǐng )悟。在一(💱)次偶(ǒu )遇(🐾)交通事故(🧝)(gù )中，华小(💣)帅(shuài )的(de )内心彻底被(🚶)点燃，他挺(tǐng )身而出拦下(xià )肇(zhà(🔎)o )事的跑车(💅)男，同时也(⛵)认(rèn )识了(🥚)郝玉清(qī(🆗)ng )，从此他也(😬)逐(zhú )渐打(🌿)开心门(mén )，勇敢地做(zuò )自(zì )己。小(🚌)帅和(hé )三(🗳)个好兄弟(🍢)上演了一(🎈)出(chū )爆(bà(✍)o )笑青春成(⌛)长(zhǎng )故事(🦎)。
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...
藝術家(🚿)自古皆(jiē )寂(jì )寞或許是境(jìng )界(🚼)，人到中(zhō(🥜)ng )年萬事憂(🥃)則是(shì )現(🌵)實。在畫(huà(📀) )室洋洋灑(🥇)灑(sǎ )呈現(⚽)自由雄風(fēng )的裸男(🔷)畫作(zuò )令他一舉成(chéng )名(míng )，在家(🎯)面對前妻(🏋)懷着新(xī(✊)n )歡骨肉、(🌳)與(yǔ )女(nǚ(💵) )兒相處尷(🚅)尬卻令他(🏎)一籌(chóu )莫展。貝蒙(méng )特(tè )的寂寞(🕓)，在(zài )於如(😶)何在著(zhe )名(🔟)畫家與單(💹)(dān )親(qīn )爸(😟)爸雙重身(🎩)(shēn )份、藝(🚽)術創作與(🚧)家庭生(shēng )活(huó )之間取得平(píng )衡(🚛)。維羅（《電(🥔)影就在(zà(⚫)i )街(jiē )角》，35 屆(🔖)）找來合(🌮)作多(duō )年(😏)的編劇兼(🍶)美(měi )指好友對號(hà(🐺)o )入座，還原(yuán )藝術家有血有(yǒu )肉(🥖)的矛盾本(🐚)(běn )性，在出(🥜)世(shì )與(yǔ(📁) )入世的兩(🛀)難外，毋忘(🚾)點(diǎn )點超(💙)現實的(de )幽(yōu )默。
Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son école. Fanny ne laissera pas seul son fils face à(🥋) ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourrés et piè(🛍)ges de cours de récré, désormais ce sera "oeil pour oeil et dent pour dent".
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
